Over the last two days, I’ve been working on making the silicone layer that will form the outer layers of the anxiety prosthesis. Operating on the excellent advice of Evrim Sahin, I brushed layers of silicone onto the plaster cast of the mannequin’s torso that I made earlier. It was kind of slow, messy, harrowing going. I wasn’t sure if the result would be very worthwhile, as every layer that I added on made weird looking ridges and drips in the silicone. Ultimately, after about 4 or so layers, I peeled it off of the mannequin and was astonished at the pretty decent quality of the casting. The part of it that was against the plaster ended up with a really nice, fleshlike texture, if a little bit problematic in places.
What I am going to do now is take the plaster cast, make another layer of plaster bandages as smooth as I can in order to make a somewhat larger and somewhat more consistent outer layer of silicone. I need two layers of silicone because one will be the base and another will be the layer that the hackles will be cut from. At this point, I’m really optimistic about how this piece will turn out.



This week’s theme is “oh man I really need to get on with building a mold and getting some casting done for the anxiety prosthesis, allegedly the centerpiece of my thesis work.” in the spirit of the theme, I got in today and build a jig that I will be doing the mold pour into. It’s ineterior dimensions are 2 feet square by one foot tall (approximately), meaning that I’ll need around four cubic feet of plaster to fill it. This mold is going to be pretty complicated. At least, it’ll be in three layers, in order to let me release silicone from both the front and the back of the shoulders, with probably around four pieces in the middle layer to let me release the top of the shoulders cleanly.
I’ve never made a large scale, remotely complicated mold before, so I’m pretty intimidated, but also fairly excited. I’ll do some research into the material to use and talk with Peter Mendelson, who teaches the Materials and Building Strategies course at ITP before I begin to pour. With that in mind, I think that the next step is for me to get my hands on some material to build the positive of what I want to cast in silicone on the cast of the mannequin’s back.


While Youn Ji so generously gave me her time in trying to make a pattern for the insecurity prosthesis prototype I put together last week, it became clear that using a pattern to cut and sew silicone together is not going to work–my prototype is just too irregularly shaped for pattern precision. What I need to do is to think about what it is I want to get done with this piece and what is feasible in terms of this timeframe (always remembering that there’s time later to complete things).
There are a couple of routes I can take. I could try to make some plaster casts and do molding and casting using silicone, but I am already neck deep in this unfamiliar technique for the anxiety prosthesis and would maybe like to lighten that cognitive load a little. Putting all of my eggs in this basket, as it were, becomes a little terrifying. Another thing I could do is to take the form that I’ve already made, get some more mesh and maybe sculpt over it, solidifying the form (maybe casting over it), and then using medical fabrics to upholster it in a sense, calling it a prototype sketch and mentioning where I want to go with it.
It’s especially worth remembering that I am presenting this stuff in my thesis class in three weeks, and during thesis week in five. Food for thought.